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annegables

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Posts posted by annegables

  1. 2 hours ago, Violet Crown said:

    A student who came to university having read plenty of fiction and non-fiction, but also drama and poetry -- having gone to see plays, musicals, and operas, both old and new -- knowing something of history and current events -- and having become used to thinking about how language works -- would be an English instructors dream, even if she had never taken a literature class or written a critical essay.

    It's much easier to do, as I'm sure you're finding, if they see you enjoying reading.

    I agree. Regarding the bolded, I swing too much in the other direction - I have neglected the demands of my children because of books:). I just asked my kid to hold off on showing me all his newly learned magic tricks because I just want to finish this chapter!!! 

    Your first paragraph is encouraging. 

    • Like 1
  2. 6 hours ago, Violet Crown said:

    (Addendum: I don't actually teach "Casey At the Bat," as it's completely dead as parody, consequent to the death of 1880's slang, sandlot baseball, and the gruesome practice of making small children recite Macaulay. Nor did I learn about parody from Lewis Carroll, but from Weird Al Yankovic.)

    I have taught parody from Covid parody songs. And from Weird Al's version of American Pie.

    • Like 1
  3. I just got Blending Structure and Style in Composition (BSSC) by James Webster (a 300pg spiral bound book + instruction manual) that IEW TWSS is based off of, according to them. I have not seen IEW's stuff, so take this assessment with a grain of salt. This manual walks you through 9 units of teaching writing, with Unit 2 being all about their dress-ups. Throughout the manual, examples are given of how to systematically edit a student's writing. I found it helpful to have the instruction spelled out so thoroughly, with actual student examples at different levels and stages of writing. 

    My thoughts (I am only up to Unit 3 in reading). The dress-ups are a lot of Killgallon techniques, just with the non-grammar names for the most part. But BSSC (and IEW, I assume) puts them all into a checklist of what should be included in writing. This is where some people chafe and where some people find IEW really helpful. A lot of the paragraph instruction I thought was similar to The Writing Revolution instruction, but again, BSSC got much more in the weeds with how to do it. With my kids, I do say things like, "put an appositive phrase here", or "change these three verbs to be stronger." I do like having different techniques for sentence variety all in one place.

    I did find the ideas of how to extract key information and then re-write from that to be helpful. It seems like the half-step before the traditional Roman numeral outline as taught in WWS and adjusted for far lower reading levels as needed. It also teaches how to take an outline of 9 items and turning that into 2-3 separate paragraphs and then expanding it. This will probably be the most helpful for my "I don't know how to get out the information and write more than a sentence" child.

    Another thing about grammar. James Webster began teaching in the 1940s in Canada, when it was apparently strongly frowned upon to teach actual grammar. So his method of sneaking in grammar without upsetting the administration was to introduce techniques without the names. Hence, "-ly words" and "who/which". 

  4. 33 minutes ago, katilac said:

    I wouldn't really buy ahead unless I found a great deal on something I definitely plan to use, and don't mind owning anyway. I would tuck the money away and spend it as I find wonderful things. It's so hard to know what you will use in future years, because there is so. much. choice! in literature. If I had bought ahead when my kids were those ages, I would surely have ended up with all the lovely editions of Jane Austen's work - and neither of my kids care for JA! If I were their father instead of their mother, I would doubt they were mine 😉

    In general, what I find very valuable for difficult literature selections is high quality editions that were easy and enticing to read: clear font, good spacing, white pages, and lots of bonus points for interesting illustrations. The Gustave Dore illustrations added a lot to our study of Dante. 

    Not a one of us writes in books, so that wasn't a concern (we take separate notes). 

    With gift money, I would definitely be buying beautiful books and not going for complete practicality. 

    Another thing I would strongly consider is giving each child a budget and a book list, and letting them each choose a selection for the home library (with no time limit, just keep each kids' money to the side). 

     

    The bolded is tragic. I would get a maternity test.🤣 I have a 1000 piece JA book puzzle and we make this puzzle about 5-6 times a year (we love puzzles and this is a great one). I am hoping that early indoctrination prevents such a fate. 

    Gustave Dore!!! That is a great idea! I have been salivating over his Dante! 

    My natural inclination is to save the money for future use, but my mother knows me too well and banned that😁. My childrens' stipulation was that it cannot be used on writing or grammar instruction. Fair enough. 

    • Like 1
  5. 1 hour ago, Meriwether said:

    Because you typically use the library, you could focus on choosing books for home that are special in some way. Maybe buy one nice book instead of three that could be gotten at the library. Maybe concentrate the money on beautiful editions or series of books that would be reread often or a binding set that appeals to you.

    So, Robert Ingpen books. Or the Junior Illistrated Classics (I think that is the series I am thinking about). Or whatever illustrator/genre would interest you.

    Or nice hardcover/nicer paperback sets of Lord of the Rings, Shakespeare, Harry Potter, or whatever your kids would be interested in reading multiple times.

    Maybe the flexibound classics? They look nice on the shelf.

    Or you could go the opposite way and get multiple cheap copies of books for the kids to annotate, since they cannot write in library books.

    I think this is more the way I am inclined to go- thank you for putting it in words for me. But this bumps up against my desire for minimalish living, but also needing to educate and having resources. I like the idea of owning the books needed for high school to remove the burden of having to remember library deadlines. Plus, if I own them, it is easier to remember to use them...

  6. 9 hours ago, Frances said:

    I think the blog you linked below where someone is attempting to track cases related to churches refutes much of this. Also, testing, tracking, contact tracing, reporting, etc. varies greatly from state to state. Many people are also refusing to cooperate with contact tracers. The large outbreak at a church in rural part of my state was identified primarily because it was early on when virtually everything else was closed at the time, there was video evidence on the church website of large, unmasked gatherings without social distancing, and given the low population of the area, it wasn’t really possible for people to hide information about the source. I’m guessing things are very different in a densely populated area like LA with innumerable places for people to go. And MacArthur himself is quoted in one of the posted articles as saying they won’t be able to trace it back to church.

    The bolded is only somewhat the case, I think. While there are technically more places to go in LA than most other places, LA is under phase one of the governor's orders:https://covid19.lacounty.gov/recovery/

    I think those phases are some of the strictest in the nation. I know that many people are privately not following the rules and having small gatherings, but in public there is very little to do because almost everything in closed. The beaches are open, thank God, but most LA beaches do not get crowded as compared to beaches on the east coast.  (Yes, we have all seen the photos of Huntington Beach in May being crowded). It is not hard to go to most beaches here and not get within 20 feet of another family. 

  7. 1 minute ago, Violet Crown said:

    Don't worry; pretty sure that Freudian literary theory died out in the '90s.

    It seems to me that most good literary study comes from getting used to doing three things.

    1. Noticing what is being achieved by the text. (What is my response -- emotional, intellectual, esthetic? -- to what I just read?)
    2. Noticing things that seem unusual in the text. (e.g. Why is there so much alliteration in that verse? Why is this character suddenly made so unsympathetic? Why did it begin in that odd way?)
    3. Figuring out how (2) is working to get you, the reader, to (1).

    (3) is where all literary study occurs.

    The longer I read and teach literature, the more I think (3) is best achieved by reading widely, copiously, and judiciously. An example: A child doesn't need to memorize the definition of "parody" to grasp that "Casey at the Bat" is a parody of "Horatius at the Bridge": she needs to be familiar with both (which means some background knowledge of Roman history and baseball!); she needs to have seen other, simpler, parodic verse (hello Lewis Carroll) so as to recognize it and have an internalized sense of how it works; and she needs to have developed an implicit sense that what makes something humorous is an unexpected but unthreatening contrast. Those take a lot more time than studying definitions, but is a lot more fun.

     

     

    Thanks! This is so helpful, and it is good news to me. Up until about a year ago, I read almost exclusively non-fiction, thanks to AP lit in high school🤐. But in the past year, I have been rapidly trying to make up for lost time. And for several years I have been doing loads of read-alouds with my kids. My hope is that through exposure to lots of well-written books with interesting conversations around said books, that they can start to think about books more deeply than I did. 

    • Like 1
  8. 15 minutes ago, freesia said:

    If you have a good background in literary devices, you can get by with just the workbook and questions...

    Yes, but I would also watch the last lecture. He gets into the nitty-gritty a bit more in the last lecture and I found it very helpful. Or, read the stories for each lecture and then watch the second half of each one where he digs into them more.

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  9. 44 minutes ago, katilac said:

    I tend to think it's the several-hour waits that infuriate people, mainly because there's no reason for it. There are numerous things they could do to improve the process and they simply don't do them. 

    Taking appointments also treats people like a number, it just acknowledges that numbers might have other things to do.

    Oh, I agree completely. Sorry, my original post that you quoted was more just ruminating on that concept and I don't totally know how I feel about it, but it has provided me with lots to think about. Why I am spending my time thinking about the BMV is justification for questioning my sanity...

    What fascinates me about the BMV is why the wait times are so long, especially in urban areas. So much can be done online now, that you would think this would have eliminated some of the burden. But it is as though the number of buildings and staff have not been increased since the invention of cars. And that one can have an appointment and still wait half a day. I think it is a fabulous case for no one there having any incentive to make the process any better. 

    Now, I recently had a surprisingly good experience at the DMV with very friendly people who were understanding and helpful. But the actual system that they are working in was a big pain.

    • Like 1
  10. 20 minutes ago, Lori D. said:

    Starting in middle school/high school we found it much easier to just purchase *all* of our books for all subjects, rather than have to deal with library and due dates. By high school, our schedule got more crazy, and it was just so much easier to buy used books and possible resell if not needed at the end of the year, than have to juggle in trips to the library. Since our homeschool group has a "classifieds" section on the website, plus an annual used curriculum sale, it was pretty easy to resell at the end of the school year to clear shelves for the next year. BUT... I see that your children are younger, so that probably is NOT a need for you right now. 😉 

    For the current ages of your children, you might look at getting some out-of-print anthologies, probably in this order of preference to fit ages:
    Collier's Young Folks Shelf of Books (10 vol) -- your kids are at the perfect age for this one as read-aloud (gr. 3 & 5) and solo reading (gr. 7)
    The Children's Hour (16 vol)
    Journey Through Bookland (10 vol) -- 8FillTheHeart likes teaching Lit. to her DC out of this one
    My Bookhouse (12 vol)

    You can also save $$ by NOT buying complete sets, but just purchase the volumes that are a fit for your family. For example in all of those anthology sets, vol. 1 tends to be nursery rhymes and pre-k stories -- so not necessary for your DC's ages. 😉 

    Here are a few past threads to help you think about if any of these might be a fit for your family:
    My Book House vs. The Children's Hour?
    Anthologies vs. Young Folks Library vs. ?
    My Book House vs. Journeys Through Bookland - compare
    What vintage reference and anthology type sets do you recommend?


    re: other kinds of anthologies
    Depends on the anthology -- I really prefer some of the selections in the earlier Norton anthologies of American and British lit. (These were my old college editions, and we used selections out of these in our homeschool high school.) But for poetry anthologies and world lit. anthologies, it's nice to have more recent editions, as there is some great more contemporary works that you don't get with the older editions.

    We own The Bookshelf for Boys and Girls with we have read aloud through. Off to check out the others...

    • Like 1
  11. 16 minutes ago, freesia said:

    What encouraging posts!  I also like TTC ( and have used the list of Socratic questions for years now to discuss literature with my middle school and high schoolers.) It does make it doable and natural ( I do sometime look themes up on line to make sure I don’t miss something.)

    Another book I like is Deconstructing Penguins.

    Thanks for the book rec! Just placed a library hold on it. 

    • Like 1
  12. Several different streams in my homeschooling life have just intersected. I have been wrestling with what to do for writing for my 5th grader. I just finished the last lecture and am like, "This is what I want to teach him to write about!!!" And I know I have the tools for how to lead this. Man, I am getting all verklempt just thinking about it.

    • Like 3
  13. I heard on a philosophy podcast (Philosophize This perhaps?) the podcaster talking about how we all want equal treatment (this argument is in no way connected to race relations), which ultimately results in being treated like a number. (I am going to butcher the argument, but the salient point remains). His point was this, we say that, but we really want specialized treatment regarding our circumstances. The place where treatment tends to be the most equal, is the BMV. At the BMV (this has been my experience in several states), everyone, simply everyone is treated as a number. There is no individual consideration for anyone's circumstances. There is no incentive to treat anyone human, but instead as a number. The BMV is the ultimate in "equal treatment" and it tends to completely infuriate everyone who is forced to go there.

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  14. Sorry I keep replying in my own thread. Something else I really like about TTC is that I don't feel like I have to eat an elephant in order to "do literature correctly" with my kids. There is no expectation of reading half the Western canon by graduation. I have no intention of slacking, but a weight lifted off my shoulders when I realized that. 

    • Like 4
  15. 8 minutes ago, Little Green Leaves said:

    I would buy poetry books -- the Norton Anthology is the first one that comes to mind but there are so many others. It's nice to have poetry collections on hand that you can dip into whenever you want.

    I would also buy high-quality art books.

    Do you think the edition matters? I lean towards earlier editions because they are available used and cheaper

  16. I am almost finished session 8, the final session. I keep thinking (in a good way) "Is this it? Has it been this straightforward all along?" For me, the feeling is akin to if all my life I thought that cleaning the carpet required loads of special knowledge, and then along comes someone who just removes the broom from my hands and gives me a vacuum. 

    You mean, I don't need to look for sexual frustration as a theme in every dang piece of literature?! Or try and suss out Freudian mama issues from O Captain My Captain? World rocked. I have come to the conclusion that if there in an underlying theme of sex that is never mentioned, I will never figure that out.

    • Like 2
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  17. Very unexpectedly, I am being gifted an amount of money to be used towards the education of my children. What I would like to do with it are to buy books that I will use to teach literature to my children who are in 3rd, 5th, and 7th (I am fine getting books to be used in a few years from now). My natural tendency is to use the library for our books, but over the years of homeschooling, book creep has set in and we now have several bookshelves full🤣 (thank you, Covid library closure and the Hive's recommending books my library doesn't have!). 

    What literature books do you think are important to own a copy of? Or is there something not literature that you think I absolutely must have? (We own all the science and most of the history and geography). 

  18. In an effort to educate myself on how to teach literature, I spent a lot of time researching and decided a few weeks ago to get a membership to Center For Lit's Teaching the Classics. I chose them because there methods seemed the most accessible to me, and because the founders were homeschoolers whose mission is to teach parents how to teach literature. (As an aside, I have also been listening to lit analysis podcasts from Circe). I am most of the way through the course and I have appreciated it immensely, but not for what I originally thought it would be. I have always thought that to read literature, it required special knowledge or the ability to almost magically mentally manipulate content to extract meaning. And I thought TTC would show me the special handshake and rituals to be able to do that myself. Much to my initial chagrin, I saw that I would not be inducted into any such secret society of literary erudites. 

    Instead, what the course has helped me with is to show me that I don't need any seemingly magical abilities to extract meaning from a proverbial rock. With asking good questions, I can effectively guide myself and my kids on a rich literary journey. This course has fleshed out ideas that I have known and has provided a better framework for me to think about books. 

    Now, that being said, I was listening to The Play's The Thing by Circe where they discussed Julius Caesar and someone said something like "Only an idiot would root for Marc Antony in this play." At that moment I realized that I knew less Roman history than I thought bc I didn't realize how bad Antony was. I have always like Marc Antony in that play for his delightful soliloquies in Act 3. I still don't like Brutus and partially agree with Dante about which circle of hell he and Cassius belong in:). I did not read Caesar to the same level of competence that the commentators did, but I feel like I understood it better than I would have 6 months ago.

    • Like 6
  19. 1 hour ago, 8FillTheHeart said:

    You probably won't like my answer, but why does he need to write the summary of something he just read and why can't he just write about informational topics?  

    Honestly, in 27 yrs of homeschooling, I have NEVER required my kids to write a summary of something they just read.  Never.  We discuss what they read, but I don't expect them to write it down.  When they are in 7th or 8th grade, they start taking notes from their reading but never as a writing assignment.  I do select writing assignments from the subjects they are studying.  (We just finished a pond study, hence dd's "article."  But 5th grade is about making writing something they are successful doing, not something they dread.  If you can get him to enjoy writing and with good output, you have won any "5th grade writing award" there is.

    Au contraire to the bolded. Thank you for saying this. So, um, ah, that is not a writing requirement to be able to do a written summary of what one reads? 

    This is possibly the most liberating post I have read in a while. I can just keep doing what I have been doing successfully with maybe some minor tweaks! Your voice is so helpful because you have seen the process through several times. I see a 5th grader and think, "AHHH, I have only 8 years to help him with writing before sending him off into the wide world!!"

  20. Just now, 8FillTheHeart said:

    I am personally not a fan of IEW's methodology.  I would probably just come up with things for him to write about that he wants to write about.  Right now my 2 grandkids and my 5th grader are "publishing" a newspaper.  This week dd wrote an "article" about how misleading the tranquil pond is bc beneath the surface it is a battle of life and death (a pseudo report on the a pond's food web).  Grandson just finished Charlotte's Web and wrote and "article" on Spider Saves Pig.  Granddaughter is doing Treasured Conversations and wrote the Disappearance of Mouse Hill Solved!   They are creating ads, comic strips, etc. 

    At that age I have also had them create "books" with chpts on things they are studying (chosen by them).  Solar system, archeology, palentology..... If he reads magazines like Muse, Cobblestone, or Faces, he could create his own magazine.  (They have free issues online.) 

    My youngest is doing Treasured Conversations and he was very disappointed that the Bushy story was not longer😁

    So, my wanting IEW is mainly just to try and fix the problem that he (my middle) hates writing a summary of something he read. "I don't know what it was talking about!!!!" He wails, after giving me an informal blow-by-blow account of what just happened. "I don't know how to start it!!!" "Don't help MEEEEEEE!!!" Don't even ask how WWE went. 

    But he can write lots about things he does or other informational topics, like history. I get the feeling that IEW might be like trying to fix a small problem with a sledgehammer. 

  21. 45 minutes ago, Æthelthryth the Texan said:

    Fair warning- I haven't used WWS. But I would say for any reluctant writer in a situation like yours that IEW wouldn't be a bad bet and might bring back some enjoyment to the game. One of the highlights for me were the rubrics- they leave no room for misinterpretation or quibbling. I love the "it's either complete or incomplete." 

    I get it on the investment as that is what had me hold off on IEW as long as I did. The investment on the TWSS and the SWI were like- wow. I already felt like we had laid out so much on SL (what little did I know of my future spending 😈) So I was lucky in that I found a drop-off homeschool class with an instructor experienced with IEW to try it out. Long haul, sure it cost more in the class, but I got to see the change in her writing and that then gave me the confidence to move into IEW on my own right because I saw the investment was worth it. Not to mention, they do stand behind their money back guarantee if you decide it's not, and that's nothing to sneeze at. 

    My understanding with the newly revamped S&S is that the TWSS isn't as necessary (although I think it's a great program to strengthen teaching across the curriculum in its own right), so you could possibly save some by doing only the S&S. 

    I will say my oldest dd is using some of what she learned from IEW to wheedle specifics out of vague professors these days. Now she knows what she needs to know to hit the points to make a prof happy on papers and speeches, and I'm not sure she would have that insight had it not been for IEW- to be so direct to ask for what they want, because honestly I don't even think some of them know what they want right now in this crazy time of having transitioned to all online and no IRL discussion...... She has yet to have a single prof who taught online before the pandemic so being online and using a whole different format has thrown them for a loop. She had one this summer who was incredibly vague but picky and I will give Mr. Pudewa credit for her being able to realize that is a horrible combination and she was going to have to figure out more specifics and pull them from the Prof to be able to pull the good grade. The kid that would never ask a question, as she thought it would make her look dumb in a classroom, finally learned through IEW that asking was better than flailing and guessing. 

    In the YouTube videos on WWS iirc SWB does encourage switching to something like IEW at some point as a break for a year or two, so I think your plan is totally feasible from that direction as well. I can't remember which video it is, but I'm pretty sure it's one of these two as I watched them not too long ago while discussing writing options with a crisis schooling friend. My brain just can't remember which. 

    https://www.youtube.com/watch?v=BNs2ImH27E0&t=232s&ab_channel=Well-TrainedMind

    https://www.youtube.com/watch?v=PeRJs3BoXyQ&ab_channel=Well-TrainedMind

     

    Thank you for your detailed reply! This was very helpful in helping me think through things. I have been listening to The Art of Language Podcast and I think I am going to try and implement some of the principles discussed (giving very specific assignments) with some of what we are doing already (with Killgallon, etc) to add sentence variety, while incorporating KWO on short Aesop's fables that I just got from the library (how fortuitous!) and see how Sept goes. With adding some rubrics for complete/incomplete. Also, I bought the book the TWSS is based off of (Building Structure and Style? - it hasn't come yet), so I will read that bc Webster goes into his checklist/rubric in the book. My big concern with IEW is that this kid really, really dislikes "random" writing assignments. He wants to write about what he is learning. Full stop. 

    If this is a flop, then I will spend some money in Oct. Also, I had to laugh at the bolded. Oh, if only I knew how true that would be, says 4-years-ago me.

  22. 5 minutes ago, 8FillTheHeart said:

    I doubt you need IEW.  You can simply work on him creating key word outlines and either writing retells or learning how to write simple reports.  

    This is kind of what I am debating with myself. I have read an untold amt of books on how to teach writing and have a decent grasp of scope and sequence. And I got this reluctant writer from word-vomiting sentences to writing coherent, interesting paragraphs last year in 4th grade. 

  23. I had my 5th grader (avg reader - can read Harry Potter) and can write 1-3 paragraphs on topics of his choice, with a topic sentence, appropriate details, and a closing sentence (what we did all last year). However, after 2 years of WWE, he hates and is still awful at writing out a summary. He can orally summarize, but the histronics of getting that oral summary onto paper (even when I have written it for him!) is frustrating. I was going to start him on WWS half-speed, but there is no way he can do the reading and then summarize it without life ending. 

    I am strongly considering getting IEW to give him lots of guidance on how exactly to write a summary. I would do IEW for 1-2 years and then go back to WWS. Thoughts? The cost is really my biggest impediment with just taking the plunge. Anyone been there, done that?

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